John Adams is a sprawling HBO miniseries event that depicts the extraordinary life and times of one of Americas least understood, and most underestimated, founding fathers: the second President of the United States, John Adams. Starring Paul Giamatti (Sideways, Cinderella Man, HBOs American Spendor) in the title role and Laura Linney (You Can Count on Me, Kinsey) as Adams devoted wife Abigail, John Adams chronicles the extraordinary life journey of one of the primary shapers of our independence and government, whose legacy has often been eclipsed by more flamboyant contemporaries like George Washington, Thomas Jefferson, Alexander Hamilton and Benjamin Franklin. Set against the backdrop of a nations stormy birth, this sweeping miniseries is a moving love story, a gripping narrative, and a fascinating study of human nature. Above all, at a time when the nation is increasingly polarized politically, this story celebrates the shared values of liberty and freedom upon which this country was built.

DVD Features:
Documentary
Featurette
Production Notes

Based on David McCullough’s bestselling biography, the HBO miniseries John Adams is the furthest thing from a starry-eyed look at America’s founding fathers and the brutal path to independence. Adams (Paul Giamatti), second president of the United States, is portrayed as a skilled orator and principled attorney whose preference for justice over anti-English passions earns enemies. But he also gains the esteem of the first national government of the United States, i.e., the Continental Congress, which seeks non-firebrands capable of making a reasoned if powerful case for America’s break from England’s monarchy. The first thing one notices about John Adams‘ dramatizations of congress’ proceedings, and the fervent pro-independence violence in the streets of Boston and elsewhere, is that America’s roots don’t look pretty or idealized here. Some horrendous things happen in the name of protest, driving Adams to push the cause of independence in a legitimate effort to get on with a revolutionary war under the command of George Washington. But the process isn’t easy: not every one of the 13 colonies-turned-states is ready to incur the wrath of England, and behind-the-scenes negotiations prove as much a part of 18th century congressional sessions as they do today.

Besides this peek into a less-romanticized version of the past, John Adams is also a story of the man himself. Adams’ frustration at being forgotten or overlooked at critical junctures of America’s early development–sent abroad for years instead of helping to draft the U.S. constitution–is detailed. So is his dismay that the truth of what actually transpired leading to the signing of the Declaration of Independence has been slowly forgotten and replaced by a rosier myth. But above all, John Adams is the story of two key ties: Adams’ 54-year marriage to Abigail Adams (Laura Linney), every bit her husband’s intellectual equal and anchor, and his difficult, almost symbiotic relationship with Thomas Jefferson (Stephen Dillane) over decades. Giamatti, of course, has to carry much of the drama, and if he doesn’t always seem quite believable in the series’ first half, he becomes increasingly excellent at the point where an aging Adams becomes bitter over his place in history. Linney is marvelous, as is Dillane, Sarah Polley as daughter Nabby, Danny Huston as cousin Samuel Adams, and above all Tom Wilkinson as a complex but indispensable Ben Franklin. –Tom Keogh

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Julie Andrews in the heartwarming true story that has become a cinematic treasure. Rodgers and Hammerstein’s “The Sound of Music.” Julie Andrews is Maria, the spirited, young woman who leaves the convent and becomes a governess to the seven unruly charm and songs soon win the hearts of the children and their father but when Nazi, Germany unites with Austria, Maria is forced to attempt a daring escape with her new family.

When Julie Andrews sang “The hills are alive with the sound of music” from an Austrian mountaintop in 1965, the most beloved movie musical was born. To be sure, the adaptation of Richard Rodgers and Oscar Hammerstein II’s Broadway hit has never been as universally acclaimed as, say, Singin’ in the Rain. Critics argue that the songs are saccharine (even the songwriters regretted the line “To sing through the night like a lark who is learning to pray”) and that the characters and plot lack the complexity that could make them more interesting. It’s not hard to know whom to root for when your choice is between cute kids and Nazis.

Read our interview with Charmian Carr, who played Liesl von Trapp in The Sound of Music.

It doesn’t matter. Audiences fell in love with the struggling novice Maria (Andrews), the dashing Captain von Trapp (Christopher Plummer), and, yes, the cute kids, all based on a real-life World War II Austrian family. Such songs as “My Favorite Things,” “Do Re Mi,” “Climb Every Mountain,” and the title tune became part of the 20th century Zeitgeist. In addition, The Sound of Music officially became a cult hit when audiences in London began giving it the Rocky Horror Picture Show treatment, attending showings dressed as their favorite characters and delivering choreographed comments and gestures along with the movie. So why resist, especially when the 40th Anniversary Edition is the best DVD yet.

The DVDs
As if the direct involvement of Julie Andrews weren’t enough, the 40th Anniversary Edition of The Sound of Music is a must-have for fans because of the fond sense of nostalgia that will touch all but the worst cynic’s heart. Andrews introduces both discs and contributes a commentary track on the film. It’s a joy to hear her speak about the film (for example, she explains how she solved her dislike for the lyrics of “I Have Confidence”), and also heard are remarks by Christopher Plummer (who at one point refers to his being 48, which if true would mean his comments were made in about 1975), Charmian Carr (Liesl), choreographer Dee Dee Wood, and Johannes Von Trapp (the real-life Maria Von Trapp’s youngest son, who admits that his father did have a whistle but claims that he was not as stern as portrayed in the film). Even with all those people involved, there are still significant gaps of silence, however. Retained from the previous two-disc editions is the commentary track by director Robert Wise, which during the musical numbers becomes an isolated score with no vocals. Also new are sing-along subtitles in English, Spanish, and French, which allow you to have your own sing-along at home. In addition, the film’s remastering shows off a truer and much warmer sense of color.

On the second disc, Andrews participates in a new 63-minute documentary “My Favorite Things: Julie Andrews Remembers.” But it’s really a general making-of documentary with contributions from a number of principals, including director Robert Wise, who died in mid-2005 (not surprisingly, some stories are repeated from the commentary track and from the 87-minute documentary on the previous DVD). Andrews also shares a warm 19-minute sit-down with Christopher Plummer. Carr, who over the years has become the film’s biggest advocate, narrates a new 22-minute documentary, “On Location with The Sound of Music,” in which she revisits the places in Salzburg where the movie was filmed, and even joins one of the “Sound of Music tours” that have become a booming industry. And acknowledging another big industry, there’s a 12-minute featurette on the sing-along phenomenon, focusing specifically on the audience, costumed and otherwise, that attended a sold-out Hollywood Bowl sing-along in 2005. Making special appearances at the event are four von Trapp great-grandchildren and all seven of the actors who played the children. Thankfully, those actors also appear in a 33-minute documentary “From Liesl to Gretl: A 40th Anniversary Reunion,” in which they explain what they do now (many are still in show business) and share stories about the film, who was afraid of Christopher Plummer, and what they feel is their responsibility to the film’s passionate fans. What’s touching is how the group still considers themselves a family so many years later. Other material includes an A&E documentary on the von Trapps, Mia Farrow’s screen test for the Liesl role, and a restoration comparison.

What’s Missing?
If you already own the previous two-disc editions, you’ll want this 40th Anniversary Edition as well, but you might not want to toss those versions. Probably the most significant omission from this edition is the original 14-minute documentary Charmian Carr made in 1967, “Salzburg Sight and Sound.” Carr’s new documentary includes only a couple clips from the vintage piece. It’s not a great work of art, but it’s a notable loss and would have made a good contrast with the new documentary. In addition, the new making-of documentary is about 24 minutes shorter than the old one. Also missing are the audio-only features–the interviews, the radio programs, the Ernest Lehman spotlight–and the historical still gallery examining the history of Salzburg and the film. Granted, this material probably got the least play of any of the old features, but completists might want to hold onto their old discs for it. It would have also been nice to have screen tests other than Farrow’s. Tests for all the children and for Christopher Plummer (including singing in his own voice before he was dubbed for the film) were included on Hollywood Screen Tests and Rodgers and Hammerstein: The Sound of Movies. Again, they’re not critical but it would have been nice to have them all in one place. So maybe the 40th Anniversary Edition isn’t the complete package on The Sound of Music, but it’s the most satisfying edition yet, with enough new material to please even the veteran SoM DVD watcher. –David Horiuchi

Stills from The Sound of Music (Click for larger image)

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Rebecca Bloomwood just hit rock bottom. But she’s never looked better….

Becky Bloomwood has a fabulous flat in London’s trendiest neighborhood, a troupe of glamorous socialite friends, and a closet brimming with the season’s must-haves. The only trouble is that she can’t actually afford it — not any of it.

Her job writing at Successful Savings not only bores her to tears, it doesn’t pay much at all. And lately Becky’s been chased by dismal letters from Visa and the Endwich Bank — letters with large red sums she can’t bear to read — and they’re getting ever harder to ignore.

She tries cutting back; she even tries making more money. But none of her efforts succeeds. Becky’s only consolation is to buy herself something … just a little something…

Finally a story arises that Becky actually cares about, and her front-page article catalyzes a chain of events that will transform her life–and the lives of those around her–forever.

Sophie Kinsella has brilliantly tapped into our collective consumer conscience to deliver a novel of our times — and a heroine who grows stronger every time she weakens. Becky Bloomwood’s hilarious schemes to pay back her debts are as endearing as they are desperate. Her “confessions” are the perfect pick-me-up when life is hanging in the (bank) balance.

If you’ve ever paid off one credit card with another, thrown out a bill before opening it, or convinced yourself that buying at a two-for-one sale is like making money, then this silly, appealing novel is for you. In the opening pages of Confessions of a Shopaholic, recent college graduate Rebecca Bloomwood is offered a hefty line of credit by a London bank. Within a few months, Sophie Kinsella’s heroine has exceeded the limits of this generous offer, and begins furtively to scan her credit-card bills at work, certain that she couldn’t have spent the reported sums.

In theory anyway, the world of finance shouldn’t be a mystery to Rebecca, since she writes for a magazine called Successful Saving. Struggling with her spendthrift impulses, she tries to heed the advice of an expert and appreciate life’s cheaper pleasures: parks, museums, and so forth. Yet her first Saturday at the Victoria and Albert Museum strikes her as a waste. Why? There’s not a price tag in sight.

It kind of takes the fun out of it, doesn’t it? You wander round, just looking at things, and it all gets a bit boring after a while. Whereas if they put price tags on, you’d be far more interested. In fact, I think all museums should put prices on their exhibits. You’d look at a silver chalice or a marble statue or the Mona Lisa or whatever, and admire it for its beauty and historical importance and everything–and then you’d reach for the price tag and gasp, “Hey, look how much this one is!” It would really liven things up.

Eventually, Rebecca’s uncontrollable shopping and her “imaginative” solutions to her debt attract the attention not only of her bank manager but of handsome Luke Brandon–a multimillionaire PR representative for a finance group frequently covered in Successful Saving. Unlike her opposite number in Bridget Jones’s Diary, however, Rebecca actually seems too scattered and spacey to reel in such a successful man. Maybe it’s her Denny and George scarf. In any case, Kinsella’s debut makes excellent fantasy reading for the long stretches between white sales and appliance specials. –Regina Marler

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Alastair Sim’s tour-de-force performance as the ultimate miser, Ebenezer Scrooge, has almost single-handedly made this beloved version of Charles Dickens’ story into one of the best-loved Christmas films of all time. Some of Britain’s best filmmakers united behind Sim, who was joined by a delightful cast of accomplished and acclaimed English actors; creating what many today believe to be the best and most faithful production of Dickens’ immortal tale. Cranky and curmudgeonly Scrooge learns the error of his unkind ways and is taught the true meaning of the holidays when he is visited by the ghost of his late business partner and the spirits of Christmas past, present and future. Bonus Features: Audio Commentary by Marcus Hearn & George Cole, “Spirit of Christmas Past” – George Cole remembers Alastair Sim, “Richard Gordon Remembers George Minter & Renown Pictures”, “Charles Dickens – His Life & Times”, Bonus Colorized Version, Original American Theatrical Trailer, Original British Theatrical Trailer, Before & After Restoration Comparison, Optional English & Spanish Subtitles, Optional Narrative for the Blind, Photo & Press Book Gallery, Cast Bios, “Scrooge” (1935 Seymour Hicks Version) Specs: 2-DVD9s; Dolby Digital 5.1; 86 minutes; B&W / Color; Aspect Ratio: B&W Restored Version – 1.33:1; Optional 16×9 Enhanced for Widescreen Monitors; Colorized Version – 1.33:1; MPAA – NR; Year – 1951; SRP – $19.99.

This is the desert-island choice of the many versions of A Christmas Carol, with a magnificent, full-bodied portrayal of Ebenezer Scrooge by Alastair Sim that leaves everyone else in the dust. Lean and direct, this film’s version of the story wastes no time trying to impress viewers with the magical nature of the spirits’ visitations. Director Brian Desmond Hurst keeps the focus on Scrooge’s life story, beautifully simplifying and underscoring the theme of lost women with a haunting musical refrain from the folk song “Barbara Allen.” Sim’s commitment to the role is at times astonishing; his Scrooge’s Christmas-morning ecstasy is a marvel of giddy technique. Watch for Patrick Macnee (Steed in The Avengers) as the young Jacob Marley–the actor made his screen debut in this 1951 production. –Tom Keogh

On the DVD
This ultimate collectors’ edition is crammed with special features, on both discs.

Amazon exclusive video: George Cole, who played the young Ebenezer Scrooge, reflects.Watch here Find out what’s new on this restored version of A Christmas Carol. Watch here Never-before-seen U.S. and U.K. trailers. Watch here

Film (and Charles Dickens) fans won’t want to miss a single screen. The audio commentary by Marcus Hearn and George Cole adds depth and perspective to Sim’s amazing performance, and the groundbreaking special effects for the time. Cole also gives a homey remembrance of working with Sim during World War II and living in the English countryside to avoid the Blitz.

One of the most compelling extras is a short bio of George Mintner, the film’s executive producer who would go on to found his own successful distribution company, Renown Pictures. An unlikely film mogul, the British Mintner was shy and bookish, but managed to build a reputable mini-studio in the ’50s, out of the Hollywood limelight. He produced mostly B-movies, though after A Christmas Carol (originally titled Scrooge), he produced another Dickens adaptation, The Pickwick Papers. There’s a great mini-bio of Dickens, who grew up in the poverty that later fascinated him in his writings. Other extras include the colorized version (what were people thinking back in the ’80s?), cast bios, original trailers, and a features that more film companies might want to consider, an optional narration for the blind. Nothing is left out for film fans–God bless us, every one.–A.T. Hurley

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Ben Gates (Nicolas Cage) sets out to find the lost 18 pages from the diary of Abraham Lincoln’s assassin, John Wilkes Booth. One of the 18 missing pages has been discovered by Jeb Wilkinson (Ed Harris). On that page are the names of the Lincoln assassination conspirators. Thomas Gates, Ben Gates’ great-great-grandfather, is listed on the page. After discovering this, Ben does not want Thomas Gates to be remembered “as a conspirator in the assassination of the man who brought this nation together.” His quest to clear his family’s name leads to unexpected twists and turns. Agent Sadusky (Harvey Keitel) tells Ben that a secret book has the information he needs. The president’s “book of secrets” holds documents, for presidents’ eyes only, of all the nations secrets; from the truth behind the JFK conspiracy, the missing minutes from the Watergate tapes, and Area 51. When Ben’s request to see the book is denied, he says he must kidnap the president. Each clue leads him closer “to a discovery that the world isn’t ready to believe.”

Less engrossing than its 2004 predecessor National Treasure, Jon Turteltaub’s busy sequel National Treasure: Book of Secrets is nevertheless a colorful and witty adventure, another race against overwhelming odds for the answer to a historical riddle. Ben Gates (Nicolas Cage), the treasure hunter who feverishly sought, in the first film, the whereabouts of a war chest hidden by America’s forefathers, is now charged with protecting family honor. When a rival (Ed Harris) offers alleged proof that Gates’ ancestor, Thomas Gates, was not a Civil War-era hero but a participant in the assassination of Abraham Lincoln, Ben and his father (Jon Voight) and crew (Justin Bartha, Diane Kruger) hopscotch through Paris, London, Washington DC, and South Dakota to gather evidence refuting the claim. The film is most fun when the hunt, as in National Treasure, squeezes Ben into such impossible situations as examining twin desks in the queen’s chambers in Buckingham Palace and the White House’s Oval Office, or kidnapping an American president (Bruce Greenwood) for a few minutes of frank talk. Helen Mirren, the previous year’s Oscar winner for Best Actress, wisely joins the cast of a likely hit film as Ben’s archaeologist mother, long-estranged from Voight’s character but as feisty as the rest of the family. Returning director Turteltaub takes excellent advantage of his colorful backdrops in European capitals and the always-eerie Mount Rushmore, and oversees some wildly imaginative sets for this dramedy’s feverish third act in an audacious and completely unexpected, legendary setting. If National Treasure: Book of Secrets doesn’t feel quite as crisp and unique as its predecessor, it is still ingenious and wry enough to laugh a bit at itself. –Tom Keogh

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Tokyo Flash Women’s Zero-G Digital Dial Black Stainless Steel Watch Futuristic fashion! Black stainless steel constructs the case of this flashy timepiece featuring an LCD digital dial. The LCD hand points to the hour from the center dial and the arc ends at the minute mark. A black stainless steel bracelet secures the watch to your wrist. Bracelet: Stainless steel Movement: Japanese quartz Crystal: Mineral Clasp: Jewelry Bracelet Measurements: 8″ L x 17mm W Case Measurements: 26mm Model Number: FUTURA/ZERO-BLK Warranty: Five year limited warranty provided by Swiss Watch International. Additional Features: Watch comes packaged in a Tokyo Flash watch box with instruction manual and warranty information.

Feel like you’ve stepped out of the future (or the world of science fiction) when you wear this conversation starter from TokyoFlash. Fusing retro and futuristic looks, this watch features an ’80s-inspired black, 16-millimeter-wide stainless steel band that joins to a 26-millimeter-wide case with a similar vintage feel. The future is revealed in its unique digital display that could be mistaken for a video game. Water resistant to 99 feet, this sturdy watch is a digital masterpiece. It is backed by a 1-year manufacturer’s warranty.

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Ladies and gentlemen, boys and girls start your engines. You’re about to take an incredible ride with one of the most wonderful family films of all time! Now celebrating its 30th anniversary, Chitty Chitty Bang Bang has never looked or sounded better. Dick Van Dyke stars as eccentric inventor Caractacus Potts, who creates an extraordinary car called Chitty Chitty Bang Bang. It not only drives but also flies and floats as it leads him, his two children and his beautiful lady friend, Truly Scrumptious (Sally Ann Howes), into a magical world of pirates, castles and endless adventure.

This remastered, pan-and-scan 30th-anniversary edition of that kiddie-car caper is flawed but solid family fare. It retains a quaint charm while some of the songs–including the title tune–are quite hummable. A huge plus is Dick Van Dyke, who is extremely appealing as an eccentric inventor around the turn of the century. With nimble fingers and a unique way of looking at the world, he invents for his children a magic car that floats and flies. Or does he? The special effects are tame by today’s standards, and the film is about 20 minutes too long–but its enthusiasm charms. The script was cowritten by Roald Dahl and based on the novel by Ian Fleming, best known for his James Bond adventures. –Rochelle O’Gorman

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